Entangled Art Histories in Ukraine

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20th century
academia
Age Group_Uncategorized
Age Group_Uncategorized
Alois Riegl
art history
Austria
automatic-update
B01=Illia Levchenko
B01=Stefaniia Demchuk
Category1=Non-Fiction
Category=ABA
Category=AC
Category=AGA
Category=GTB
Category=GTM
Category=HBJD
Category=HBW
Category=JP
Category=JW
Category=NHD
Category=NHW
collapse
Communism
Communist
comparative art historiography
COP=United Kingdom
Delivery_Pre-order
disciplinary transformation
Eastern Europe
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Europe
Fedir Schmidt
historiography
imperial
imperialism
intellectual
intellectual resistance methods
Kharkiv
Krakow
Kyiev
Kyiv
Language_English
Leninist
Lviv
Marxist
methodology
modern art
museum studies
Mykola Bazhan
national identity formation
new media
Odesa
Odessa
PA=Not yet available
photography
Poland
politics
post-Soviet Ukrainian art history development
power
Price_€100 and above
PS=Forthcoming
Russia
scholarship
socialist realist
softlaunch
Soviet
Soviet cultural policy
St. Petersburg
theory
transnational scholarly networks
twentieth century
USSR
Vienna
Wolfflin

Product details

  • ISBN 9781032708638
  • Weight: 700g
  • Dimensions: 174 x 246mm
  • Publication Date: 29 Nov 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This book explores ideologies, conflicts and ideas that underpinned art historical writing in Ukraine in the 20th century.

Disciplinary beginnings testify both to its deep connection to Krakow, Saint Petersburg and especially Vienna with its school of art history and originality of theoretical thought. Art history started as another imperial project in Ukraine, but ultimately transformed into the means of assertion of national identity. The volume looks closely at the continuity and ruptures in scholarship caused by the establishment of Soviet power and challenges a number of existing stereotypes like total isolation under Communist rule and strict adherence to a Marxist-Leninist methodology. It showcases intellectual exchanges through published work, personal contacts and ways to resist the politically enforced methodology. Despite keeping the focus on one country, it contributes to understanding the development of art history as an academic discipline in Europe more generally. It also uncovers unknown or little-researched personal and academic connections between art historians from Ukraine and their peers abroad. Starting with the 19th-century quest for the method and proceeding by disentangling the complexities of the 20th century, the authors move on to the specifics of historiography after the formal collapse of the USSR. The volume transgresses purely academic boundaries and tackles the development of the discourse in periodicals, exhibition spaces and public discussions.

Thus, the findings will be pertinent to all interested in politics, art history, museum studies, intellectual history, historiography and Eastern European studies.

Stefaniia Demchuk is Associate Professor of art history at Taras Shevchenko National University of Kyiv and a research fellow at Masaryk University, Brno.

Illia Levchenko is Assistant Professor of art history at Taras Shevchenko National University of Kyiv.