Haiti in the British Imagination

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A01=Jack Daniel Webb
A01=Jeffrey Hunt
Age Group_Uncategorized
Age Group_Uncategorized
Author_Jack Daniel Webb
Author_Jeffrey Hunt
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British Empire
Caribbean History
Category1=Non-Fiction
Category=HBTB
Category=JBCC
Category=JFC
Category=NHTB
COP=United Kingdom
Delivery_Delivery within 10-20 working days
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eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Haiti
Language_English
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Price_€100 and above
PS=Active
Race
softlaunch
Sovereignty

Product details

  • ISBN 9781800348226
  • Dimensions: 163 x 239mm
  • Publication Date: 25 Nov 2020
  • Publisher: Liverpool University Press
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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In 1804, Haiti declared its independence from France to become the world’s first ‘black’ nation state. Throughout the nineteenth century, Haiti maintained its independence, consolidating and expanding its national and, at times, imperial projects. In doing so, Haiti joined a host of other nation states and empires that were emerging and expanding across the Atlantic World. The largest and, in many ways, most powerful of these empires was that of Britain. Haiti in the British Imagination is the first book to focus on the diplomatic relations and cultural interactions between Haiti and Britain in the second half of the nineteenth century. As well as a story of British imperial aggression and Haitian ‘resistance’, it is also one of a more complicated set of relations: of rivalry, cultural exchange and intellectual dialogue. At particular moments in the Victorian period, ideas about Haiti had wide-reaching relevancies for British anxieties over the quality of British imperial administration, over what should be the relations between ‘the British’ and people of African descent, and defining the limits of black sovereignty. Haitians were key in formulating, disseminating and correcting ideas about Haiti. Through acts of dialogue, Britons and Haitians impacted on the worldviews of one another, and with that changed the political and cultural landscapes of the Atlantic World.
Jack Daniel Webb is a Research Associate in Postcolonial Print Cultures in the School of English at Newcastle University.