Jump Up!

Regular price €45.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Ray Allen
Age Group_Uncategorized
Age Group_Uncategorized
Author_Ray Allen
automatic-update
Category1=Non-Fiction
Category=AVGC
Category=AVLA
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=0
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€20 to €50
PS=Active
SN=American Musicspheres
softlaunch

Product details

  • ISBN 9780190656850
  • Weight: 431g
  • Dimensions: 231 x 155mm
  • Publication Date: 08 Oct 2019
  • Publisher: Oxford University Press Inc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
Jump Up! Caribbean Carnival Music in New York City is the first comprehensive history of Trinidadian calypso and steelband music in the diaspora. Carnival, transplanted from Trinidad to Harlem in the 1930s and to Brooklyn in the late 1960s, provides the cultural context for the study. Blending oral history, archival research, and ethnography, Jump Up! examines how members of New York's diverse Anglophile-Caribbean communities forged transnational identities through the self-conscious embrace and transformation of select Carnival music styles and performances. The work fills a significant void in our understanding of how Caribbean Carnival music-specifically calypso, soca (soul/calypso), and steelband-evolved in the second half of the twentieth century as it flowed between its Island homeland and its bourgeoning New York migrant community. Jump Up! addresses the issues of music, migration, and identity head on, exploring the complex cycling of musical practices and the back-and-forth movement of singers, musicians, arrangers, producers, and cultural entrepreneurs between New York's diasporic communities and the Caribbean.
Ray Allen is Professor of Music and American Studies at Brooklyn College, CUNY, where he teaches classes on American music, world music, and urban folk culture. His research has ranged from African American gospel, Caribbean Carnival music, and the folk music revival to the works of composers Ruth Crawford Seeger and George Gershwin. His books include Singing in the Spirit: African-American Sacred Quartets in New York City, Island Sounds in the Global City: Caribbean Popular Music in New York City (co-edited with Lois Wilcken), Ruth Crawford Seeger's Worlds: Innovation and Tradition in Twentieth Century American Music (co-edited with Elli Hisama), and Gone to the Country: The New Lost City Ramblers and the Urban Folk Music Revival.

More from this author