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Katherine Bernhardt: Why is a mushroom growing in my shower?

English

By (author): Suzanne Hudson

Dazzling and playful, Katherine Bernhardts newest paintings highlight her fascination with American pop vernacular, from Pokémon and the Pink Panther to Crocs and psilocybin mushrooms.

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Bernhardt has always been impressive for her ability to combine the immediate, seductive properties of paint with the infectious humor of topical pop culture. Hyperallergic

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Bernhardts boundless visual appetite has established her as one of the most exciting painters working today. Thinking about the relationship between art, objects, and commerce, Bernhardt spotlights iconic motifs of cartoons and cultural symbols. Colors and lines bleed and pool together, revealing Bernhardts brisk and improvisational process. Monumental in size, subject matter, and vibrancy, Katherine Bernhardts works demand attention.

Expanding upon the exhibition at David Zwirner, London, in 2022, this catalogue includes bonus paintings and works on paperdeveloping her ongoing body of work. With many details of Bernhardts paintings, this large publication gives the artists work ample space to play. Suzanne Hudsons essay considers Bernhardts work from an art historical perspective and thinks through the relationship between the artists work and life. See more
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Product Details
  • Weight: 1640g
  • Dimensions: 273 x 362mm
  • Publication Date: 30 Nov 2023
  • Publisher: David Zwirner
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9781644231128

About Suzanne Hudson

Katherine Bernhardt (b. 1975) was born in St. Louis Missouri and received a BFA from the School of the Art Institute of Chicago in 1998 and an MFA from the School of Visual Arts New York in 2000. In 2018 the solo exhibition Katherine Bernhardt: Watermelon World was on view at the Mario Testino Museum (MATE) in Lima Peru. The previous year in 2017 the Modern Art Museum of Fort Worth Texas presented FOCUS: Katherine Bernhardt. Also in 2017 the artist painted a 60 foot-long mural entitled XXL Superflat Pancake for the St. Louis Contemporary Art Museum. Her work has also been included in significant group exhibitions such as We Fight to Build a Free World: An Exhibition by Jonathan Horowitz Jewish Museum New York (2020) and NO MANS LAND: Women Artists from the Rubell Family Collection Rubell Museum Miami which traveled to the National Museum of Women in the Arts Washington DC (2015-2017). A Los Angelesbased art historian and critic Suzanne Hudson is professor of art history and fine arts at the University of Southern California. A longtime contributor to Artforum she is the author of books including Robert Ryman: Used Paint (2009) Agnes Martin: Night Sea (2017) and Contemporary Painting (2021). Supported by a New Directions Fellowship from the Andrew W. Mellon Foundation she is pursuing research into the practical applications of art making for Better for the Making: Art Therapy Process a study of the therapeutic origins of process within American modernism.

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