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A01=Fabio Scaletti
A01=Mr Martin Kemp
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Author_Fabio Scaletti
Author_Mr Martin Kemp
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Leonardo 500

English, French

By (author): Fabio Scaletti Mr Martin Kemp

This volume represents an important tool for getting to know every aspect of Leonardo da Vinci's work: his pictorial technique, his scientific and technological investigation, his study on anatomy, his Codices, and every suggestion produced by his genius. All works and paintings are accompanied by descriptive and technical sheets, and ample space has been given to images and details, to the updated report on his most controversial works, to those of recent critical acceptance, and to the masterpieces that have animated the international debate such as The Encarnate Angel, the Salvator Mundi, and La Bella Principessa (Portrait of Bianca Sforza). The narrative captions reveal the most curious aspects of the history of each painting. Thanks to the direct contribution of collectors and museums the photographic reproductions of paintings and works reflect the last restorations. Text in English and French. See more
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A01=Fabio ScalettiA01=Mr Martin KempAge Group_UncategorizedAuthor_Fabio ScalettiAuthor_Mr Martin Kempautomatic-updateCategory1=Non-FictionCategory=ACNDCategory=AGBCOP=ItalyDelivery_Delivery within 10-20 working daysLanguage_EnglishLanguage_FrenchPA=AvailablePrice_€20 to €50PS=Activesoftlaunch
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Product Details
  • Dimensions: 250 x 335mm
  • Publication Date: 29 May 2019
  • Publisher: Scripta Maneant
  • Publication City/Country: Italy
  • Language: English, French
  • ISBN13: 9788895847450

About Fabio ScalettiMr Martin Kemp

Martin Kemp is Emeritus Professor of History of Art at the Oxford University and Member of the British Academy. He has curated several exhibitions dedicated to the work of Leonardo of whom he is one of the greatest international scholars. He has published several books and essays translated all over the world and he has carried out the most extensive research on the painting La Bella Principessa by Leonardo. Fabio Scaletti is a writer a scholar of Renaissance art and an expert on the attributional themes he is the author of several publications in magazines and volumes. A Caravaggio specialist he later extended his research to the great masters of the Italian Renaissance with particular attention to the news of the debate among critics experts and researchers on the most celebrated works of art history and on the new investigations and discoveries.

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