Literary Labyrinths in Franco-Era Barcelona

Regular price €56.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Colleen P. Culleton
Age Group_Uncategorized
Age Group_Uncategorized
Author_Colleen P. Culleton
automatic-update
Catalan cultural identity
Category1=Non-Fiction
Category=DS
Category=HBW
Category=HD
Category=N
Category=NHW
COP=United Kingdom
ction
De Identidad
Defi Nite Article
Delivery_Pre-order
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
espriu
esther
Esther Tusquets
Fairy Tale
Fi Ctive
Fi Ne Day
francoist
Francoist Historiography
Francoist Narrative
Francoist repression
historiography
Jo Labanyi
labanyi
labyrinth motif analysis
Language_English
Liminal Beings
Literary Labyrinths
memory politics in Barcelona fiction
Mythic Temporality
narrative disorientation
PA=Temporarily unavailable
past
postwar Spanish literature
Price_€20 to €50
PS=Active
salvador
Salvador Espriu
softlaunch
Spain's Past
spains
Spain’s Past
tusquets
Unicursal Labyrinth
urban memory studies
Young Man

Product details

  • ISBN 9780367346676
  • Weight: 360g
  • Dimensions: 156 x 234mm
  • Publication Date: 05 Jun 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

Bringing together works by Salvador Espriu, Juan Goytisolo, Mercè Rodoreda, Esther Tusquets, and Juan Marsa that portray memory as a disorienting narrative enterprise, Colleen Culleton argues that the source of this disorientation is the material reality of life in Barcelona in the immediate post-Civil War years. Barcelona was the object of harsh persecution in the first years of the Franco regime that included the erasure of marks of Catalan identity and cultural history from the urban landscape and made Barcelona a moving target for memory. The literature and film she examines show characters struggling to produce narratives of the remembered past that immediately conflict with the dominant version of Spain's historical narrative formulated to legitimize the Civil War. Culleton suggests the trope of the laberinto, used as an image or device in all five of the works she considers and translated into English as both maze and labyrinth, opens up a space that enables readers to take vulnerability to outside interference into account as an inseparable part of remembrance. While the narratives all have maze-like qualities involving a high level of reader participation and choice, the exigencies of the labyrinth with its unicursal demands for patience, perseverance, and faith always prevail. Thus do the Francoist narrative and social structure in the end resurface and reassert themselves over the narrating character's perspective.

Colleen P. Culleton is Associate Professor of Spanish in the Department of Romance Languages and Literatures at the University of Buffalo (SUNY).

More from this author