Martin Kippenberger: Paintings Volume IV

Regular price €334.80
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Estate of Martin Kippenberger
A01=Galerie Gisela Capitain
A01=Gallery Gisela Capitain
Age Group_Uncategorized
Age Group_Uncategorized
Author_Estate of Martin Kippenberger
Author_Galerie Gisela Capitain
Author_Gallery Gisela Capitain
automatic-update
Category1=Non-Fiction
Category=ACXJ
Category=AGA
Category=AGB
COP=Germany
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Reprinting
Price_€100 and above
PS=Active
softlaunch

Product details

  • ISBN 9783863354817
  • Weight: 3970g
  • Dimensions: 245 x 295mm
  • Publication Date: 06 Oct 2014
  • Publisher: Verlag der Buchhandlung Walther Konig
  • Publication City/Country: DE
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns
The German artist Martin Kippenberger produced a rich and diverse body of work from the mid 1970s until his untimely death at the age of 44, and is now regarded as one of the most influential artists of his time. Volume IV of the Catalogue Raisonné, which is the first to be published, contains details of all his paintings made from 1993 to 1997. The entries for these 225 paintings in total comprise catalogue number, title, year, media, dimensions, inscriptions, provenance, exhibitions and bibliography. Each work is reproduced in full colour, along with any relevant source materials (where applicable). This volume also contains an overview of unfinished works. Each series or group of works is presented as a separate chapter with its own commentary covering the genesis of works as well as references to both Kippenberger’s own work and that of other artists. This volume also contains a chronological list of works with black-and-white thumbnails, a chronological list of exhibitions and a bibliography, which reflects Martin Kippenberger’s own specific use of the terms ‘exhibition catalogue’, ‘artist’s book’ and ‘book’.

More from this author