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B01=Kun Qian
B01=Mingzhi Chen
B01=Qinglin Meng
B01=Xin Wang
Category1=Non-Fiction
Category=AVA
Category=PBW
Category=TJF
Category=TTA
Category=UYU
COP=Singapore
Delivery_Pre-order
Language_English
PA=Not yet available
Price_€100 and above
PS=Forthcoming
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Proceedings of the 10th Conference on Sound and Music Technology: Revised Selected Papers from CMST

English

The book presents selected papers at the 10th Conference on Sound and Music Technology (CSMT) held in June 2023, China. CSMT is a multidisciplinary conference focusing on audio processing and understanding with bias on music and acoustic signals. The primary aim of the conference is to promote the collaboration between art society and technical society in China. In this book, the paper included covers a wide range topic from speech, signal processing, music understanding, machine learning, and signal processing for advanced medical diagnosis and treatment applications, which demonstrates the target of CSMT merging arts and science research together. Its content caters to scholars, researchers, engineers, artists, and education practitioners not only from academia but also industry, who are interested in audio/acoustics analysis signal processing, music, sound, and artificial intelligence (AI).

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Current price €177.55
Original price €192.99
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Age Group_Uncategorizedautomatic-updateB01=Kun QianB01=Mingzhi ChenB01=Qinglin MengB01=Xin WangCategory1=Non-FictionCategory=AVACategory=PBWCategory=TJFCategory=TTACategory=UYUCOP=SingaporeDelivery_Pre-orderLanguage_EnglishPA=Not yet availablePrice_€100 and abovePS=Forthcomingsoftlaunch

Will deliver when available. Publication date 21 Dec 2024

Product Details
  • Dimensions: 155 x 235mm
  • Publication Date: 21 Dec 2024
  • Publisher: Springer Verlag Singapore
  • Publication City/Country: Singapore
  • Language: English
  • ISBN13: 9789819779611

About

Kun Qian (Senior Member IEEE) received his doctoral degree for his study on automatic general audio signal classification in 2018 in electrical engineering and information technology from Technische Universität München (TUM) Germany. From 2021 he has been appointed to be (Full) Professor at Beijing Institute of Technology China. He is Senior Member of the IEEE. He was elected as Forbes China 100 Outstanding Overseas Returnees in 2023. Dr. Qian serves as Associate Editor for the IEEE Transactions on Affective Computing Frontiers in Digital Health and BIO Integration. He (co-)authored more than 100 publications in peer-reviewed journals and conference proceedings having received more than 2.4k citations (h-index 30).   Xin Wang is Professor at the School of Music and Recording Arts Communication University of China where her research focuses on spatial audio musical perception and musical acoustics. She received his doctoral degree of Engineering in Communication and Information Systems from the Communication University of China in 2012. Dr. Wang has presided over ten national and provincial-level scientific research projects published five books (co-)authored over forty papers in peer-reviewed journals and obtained three patents and software copyrights.   Qinglin Meng Associate Professor Ph.D. currently works at the Acoustics Laboratory School of Physics and Optoelectronics South China University of Technology. His research focuses on (psycho-)acoustics signal processing and information processing to address scientific and technological issues related to hearing health and auditory perception particularly in areas of technologies of auditory prothesis especially on cochlear implant coding strategies. He has published articles in reputable academic journals such as JASA IEEE-TASLP Hear Res Trend Hear and Ear Hear. He is committed to cultivating top talent in hearing health and auditory technology and promoting the development of related industries in China.   Mingzhi Chen is currently Professor at the department of composition of the Xinghai Conservatory of Music Mentor on its post-graduated programme (Composition and Electronic Music) Chairman of the Music Artificial Intelligence and Sound Technology Council of the Guangdong Sound Visual and Lighting Association. His academic focus is on the research and composition of ethnic instrumental music that is interactive with images and physical body movements and theatre sound design. He is the recipient of many prestigious awards including the Government of Japan Agency for Cultural Affairs Award for Stage Arts Commendation of the International Music Council of UNESCO and the Artist of the Year Music award from the Hong Kong Arts Development Council in 2018.

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