Ray Atkins (b.1937) is one of the least well known major painters of his generation. He studied at Bromley College of Art in Kent before gaining a post graduate place at the Slade despite having failed the National Diploma in Design in 1961. His first teaching post was at Reading University in 1965 where he lived and recorded in paint the huge upheavals that the town was undergoing, leading to a one person exhibition at the Whitechapel Gallery, London in 1974. A teaching post at Falmouth Art School in 1974 led to a thirty four year stay in Cornwall where he painted the extraordinary landscape of the china clay country around St Austell with its collossal pits and mounds of micae.The desolation left over by the demise of the tin mining industry was also a major theme, The more intimate subjects of children, gardens, family life and inevitably the sea were also part of the oevre. The nineties also saw a long series of works on the theme of dance. To celebrate the uncelebrated was his dictum. Peter Davies follows Atkins journey from the dark but creative London period to the high spots in the eighties with a retrospective at the Royal West of England Academy and with work selected for the John Moores in Liverpool, a room at a Serpentine summer Show, and representation in shows at the Hayward gallery. The book also follows the tensions and problems arising from Atkins insistence on working direct from his subjects and places the artists career in the wider context of the twists and turns of events in the art world in the UK, Europe and beyond. In addition, David Stoker gives a personal account of his discovery of Atkins in France, leading to a growing friendship and a deep understanding and respect for the work.
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Product Details
Dimensions: 152 x 229mm
Publication Date: 13 Jun 2024
Publisher: Sansom & Co
Publication City/Country: United Kingdom
Language: English
ISBN13: 9781915670151
About David StokerPauline SheppardPeter Davies
Peter Davies is Professor and Head of German at the University of Edinburgh. Helmut Schmitz is Reader in German at the University of Warwick. Peter Risdon retired from the Civil Service after more than 30 years at the British Library. Aged 57 he lives in north London with his wife Christine. He now writes biographies of British artists who are awaiting rediscovery and this is his first book. He is currently completing a 'life' and catalogue raisonne of the important Post-Impressionist artist Alfred Wolmark. Pauline Sheppard has lived and worked in Cornwall since 1972; a founder member of Cornwall Theatre Company her work has been seen as far afield as Berlin and as close to home as the Minack Theatre where her adaptations of classic stories for the Minack Schools Fortnight became an important part of the season's calendar. As a writer her concerns are universal issues set in Cornwall: Dogs in 1992 deals with the philosophy of freedom and crossing borders when a group of travellers are evicted from wasteland; and Dressing Granite 1997 about the survival of the individual. In 1998 she adapted Our Little Town by Charles Lee who was writing in Newlyn in the late 1890s and rubbed shoulders with the artists. In 2000 she adapted the Ordinalia (The Cornish Mystery Cycle) for the community of St. Just. She is also a member of Scavel an gow a group of Cornish short story writers.