Shomei Tomatsu, one of Japans foremost twentieth-century photographers, created one of the defining portraits of postwar Japan. Beginning with his meditation on the devastation caused by the atomic bombs in 11:02 Nagasaki, Tomatsu continued to focus on the tensions between traditional Japanese culture and the growing westernization of the nation in his seminal book Nihon. Beginning in the late 1950s, Tomatsu committed to photographing as many of the American military bases in Japan as possible. Tomatsus photographs focused on the seismic impact of the American victory and occupation: uniformed American soldiers carousing in red-light districts with Japanese women; foreign children at play in seedy landscapes, home to American forces; and the emerging protest formed in response to the ongoing American military presence. He originally named this series Occupation, but later retitled it Chewing Gum and Chocolate to reflect the handouts given to Japanese kids by the soldierssugary and addictive, but ultimately lacking in nutritional value. And although many of his most iconic images are from this series, this work has never before been gathered together in a single volume. Leo Rubinfien contributes an essay that engages with Tomatsus ambivalence toward the American occupation and the shifting national identity of Japan. Also included in this volume are never-before-translated writings by Tomatsu from the 1960s and 70s, providing context for both the artists original intentions and the sociopolitical thinking of the time.
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Product Details
Weight: 1710g
Dimensions: 240 x 290mm
Publication Date: 05 May 2014
Publisher: Aperture
Publication City/Country: United States
Language: English
ISBN13: 9781597112505
About
Shomei Tomatsu (born in Nagoya Japan 1930; died in Naha Japan 2012) played a central role in Vivo a self-managed photography agency and founded the publishing house Shaken and the quarterly journal Ken. He participated in the groundbreaking New Japanese Photography exhibition in 1974 at the Museum of Modern Art New York and in 2011 the Nagoya City Art Museum featured Tomatsu Shomei: Photographs a comprehensive survey of his work. He was the recipient of numerous awards including the 1999 Japan Art Grand Prix. Leo Rubinfien is a photographer writer and curator. Books of his work include A Map of the East and Wounded Cities. In 2006 he cocurated Skin of the Nation a retrospective of Shomei Tomatsus work; he also recently served as guest curator of Garry Winogrand. Both exhibitions were organized by the San Francisco Museum of Modern Art and traveled to other venues thereafter. John Junkerman is a documentary filmmaker and translator based in Tokyo. His films include the Academy Award nominated Hellfire: A Journey from Hiroshima (1986); Dream Window: Reflections on the Japanese Garden (1992); and Japans Peace Constitution (2005). He translated and edited texts for Anne Wilkes Tuckers The History of Japanese Photography translated Daido Moriyamas Memories of a Dog and collaborated on Leo Rubinfiens Shomei Tomatsu: Skin of the Nation.
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