Sylvia Plath and the Mythology of Women Readers

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A01=Janet Badia
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authorship and gender identity
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critical discourse on women readers
cultural authority of women readers
cultural mythologies of fandom
cultural perceptions of literary passion
cultural reception of tragic women artists
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female agency in literary interpretation
female literary devotion
feminism and literary backlash
feminist interventions in literary studies
feminist literary criticism
feminist reclaiming of Plath
feminist reevaluation of literary history
feminist theory and cultural studies
gender bias in author reputation
gender politics in publishing
gendered interpretations of art
gendered readership stereotypes
gendered reading communities
intersection of literature and feminism
Language_English
literary canon and exclusion
literary celebrity culture
literary estates and gendered control
literary studies and cultural power dynamics
media criticism and gender bias
media portrayals of literary audiences
misogyny in literary culture
myth of hysterical fandom
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Plath's posthumous legacy
popular culture and feminist icons
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psychoanalysis and literary fandom
reader-response theory and gender
reception history of women poets
representation of feminini
representation of women in media
representations of readers in film and television
social constructions of femininity and intellect
softlaunch
Sylvia Plath scholarship
twentieth-century women writers
women and literary reputation
women readers and cultural reception
women's intellectual history
women's reading practices
women's studies and contemporary literature

Product details

  • ISBN 9781558498969
  • Weight: 332g
  • Dimensions: 161 x 229mm
  • Publication Date: 11 Aug 2011
  • Publisher: University of Massachusetts Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Depicted in popular films, television series, novels, poems, and countless media reports, Sylvia Plath’s women readers have become nearly as legendary as Plath herself, in large part because the depictions are seldom kind. If one is to believe the narrative told by literary and popular culture, Plath’s primary audience is a body of young, misguided women who uncritically even pathologically consume Plath’s writing with no awareness of how they harm the author’s reputation in the process.

Janet Badia investigates the evolution of this narrative, tracing its origins, exposing the gaps and elisions that have defined it, and identifying it as a bullying mythology whose roots lie in a long history of ungenerous, if not outright misogynistic, rhetoric about women readers that has gathered new energy from the backlash against contemporary feminism.

More than just an exposé of our cultural biases against women readers, Badia’s research also reveals how this mythology has shaped the production, reception, and evaluation of Plath’s body of writing, affecting everything from the Hughes family’s management of Plath’s writings to the direction of Plath scholarship today. Badia discusses a wide range of texts and issues whose significance has gone largely unnoticed, including the many book reviews that have been written about Plath’s publications; films and television shows that depict young Plath readers; editorials and fan tributes written about Plath; and Ted and (daughter) Frieda Hughes’s writings about Plath’s estate and audience.

Janet Badia is associate professor and director of women’s studies at Indiana University–Purdue University Fort Wayne and coeditor of Reading Women: Literary Figures and Cultural Icons from the Victorian Age to the Present.

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