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B01=Marcus Waithe
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COP=United Kingdom
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The Cambridge Companion to William Morris

English

In his short life, William Morris (1834-96) combined the roles of poet, author, painter, designer, translator, lecturer, political activist, journalist, weaver, bookmaker, and businessman. This volume draws together influential voices from different disciplines who have participated in the recent critical, political, and curatorial revival of his work, with essays exploring the contemporary resonance of his exceptional legacy. As a critic of capitalism, his thinking has thrived in these years of financial crisis; as a theorist of work and craftsmanship, his legacy interacts with a more recent ethics of making that questions the values of 'off-shored' production; and as a protector of landscape and buildings Morris's concern with what is precious strikes a chord in our age of environmental crisis. At the same time, a careful and scholarly approach observes the particularity of Morris's context, in a way that confounds the 'false friends' of hasty historical reception and reveals unexpected connections. See more
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Age Group_Uncategorizedautomatic-updateB01=Marcus WaitheCategory1=Non-FictionCategory=AFCCategory=AFHCategory=AFWCategory=DSBFCategory=HBTBCOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=In stockPrice_€50 to €100PS=Activesoftlaunch
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Product Details
  • Weight: 700g
  • Dimensions: 151 x 235mm
  • Publication Date: 23 May 2024
  • Publisher: Cambridge University Press
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781108832175

About

Marcus Waithe is Professor of Literature and the Applied Arts at the University of Cambridge and a Fellow of Magdalene College. He is the author of The Work of Words (2023) Words Made Stone (co-written with Lida Cardozo Kindersley) (2022) Thinking through Style (co-edited with Michael Hurley) (2018) The Labour of Literature in Britain and France 1830-1910 (co-edited with Claire White) (2018) and William Morris's Utopia of Strangers (2016).

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