The House, the World, and the Theatre: Self-Fashioning and Authorial Spaces in the Prefaces of Hawthorne, Dickens, and James | Agenda Bookshop Skip to content
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The House, the World, and the Theatre: Self-Fashioning and Authorial Spaces in the Prefaces of Hawthorne, Dickens, and James

English

By (author): Geraldo Magela Caffaro

The House, the World, and the Theatre departs from three ideologically resonant spatial metaphors to explore key aspects of nineteenth-century literature and culture. At the centre of the discussion is the way authors fashioned themselves to cater to ever-expanding audiences and to the new conditions of publishing. The prefaces of Hawthorne, Dickens, and James illustrate the conflicts underlying the new forms of self-definition in the nineteenth century and mediate the perception of authorship as a category that blurs the boundaries between social life and performance. This book combines genre criticism, new historicism, literary history, and contemporary perspectives in readings that show the imaginative quality of prefatory writing and the enduring relevance of canonical authors in the twenty-first century. See more
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Product Details
  • Dimensions: 148 x 212mm
  • Publication Date: 24 Feb 2016
  • Publisher: Cambridge Scholars Publishing
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781443887953

About Geraldo Magela Caffaro

Geraldo Magela Cáffaro received a PhD degree in Literary Studies from the Federal University of Minas Gerais (UFMG) Brazil and is a Professor of Literatures in English at Unimontes (Montes Claros) Brazil. He is the author of Fictionalizing Acts in Writers Diaries: Hawthornes American Notebooks (2010) and has also published several chapters and articles on nineteenth-century literature including From Beyond the Grave: The Posthumous Trope in Nathaniel Hawthorne Machado de Assis and Henry James in Henry James Today (2014) and Quid pro Quo or Destination Unknown: Johnson Derrida and Lacan Reading Poe (co-authored with Luiz Fernando Ferreira Sá) in Adapting Poe: Re-imaginings in Popular Culture (2012). In addition to the nineteenth century his areas of interest include paratexts literary theory comparative literature new historicism and deconstruction.

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