The Man Who Got Carter: Michael Klinger, Independent Production and the British Film Industry, 1960-1980 | Agenda Bookshop Skip to content
Please note that books with a 10-20 working days delivery time may not arrive before Christmas.
Please note that books with a 10-20 working days delivery time may not arrive before Christmas.
A01=A. T. McKenna
A01=Dr Andrew Spicer
A01=Professor Andrew Spicer
A23=Mike Hodges
Age Group_Uncategorized
Age Group_Uncategorized
Author_A. T. McKenna
Author_Dr Andrew Spicer
Author_Professor Andrew Spicer
automatic-update
Category1=Non-Fiction
Category=APF
COP=United Kingdom
Delivery_Delivery within 10-20 working days
Language_English
PA=Available
Price_€100 and above
PS=Active
softlaunch

The Man Who Got Carter: Michael Klinger, Independent Production and the British Film Industry, 1960-1980

Michael Klinger was the most successful indpendent producer in the British film industry over a 20 year period from 1960 to 1980, responsible for 32 films, including classics such as Repulsion (1965) and Get Carter (1971). Despite working with many famous figures- including actors Michael Caine, Peter Finch, Lee Marvin, Roger Moore, Mickey Rooney and Susannah York; directors Claude Chabrol,Mike Hodges and Roman Polanski and author Wilbur Smith- Klinger's contribution to British cinema has been almost largely ignored. This definitive book on Micheal Klinger, largely based on his previously unseen personal papers, examines his origins in Sixties Soho 'sexploitation' cinema and 'shockumentaries' through to major international productions including Gold (1974) and Shout at the Devil (1976). It reveals how Klinger deftly combined commercial product-the hugely popular 'Confessions' series (1974-78)- with artistic, experimental cinema that nurtured young talent, including Polanski and Hodges, Peter Colinson, Alastair Reid, Linda Hayden and Moshe Mizrahi, the Israeli director of Rachel's Man (1975). Klinger's career is contextualised through a reassessment of the British film industry during a period of unprecedented change and volatility as well as highlighting the importance of his Jewishness. The Man Who Got Carter offers a detailed analysis of the essential but often misunderstood role played by the producer. See more
Current price €123.27
Original price €133.99
Save 8%
A01=A. T. McKennaA01=Dr Andrew SpicerA01=Professor Andrew SpicerA23=Mike HodgesAge Group_UncategorizedAuthor_A. T. McKennaAuthor_Dr Andrew SpicerAuthor_Professor Andrew Spicerautomatic-updateCategory1=Non-FictionCategory=APFCOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€100 and abovePS=Activesoftlaunch
Delivery/Collection within 10-20 working days
Product Details
  • Weight: 620g
  • Dimensions: 156 x 234mm
  • Publication Date: 24 Oct 2013
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781780762821

About A. T. McKennaDr Andrew SpicerProfessor Andrew Spicer

Andrew Spicer is Reader in Cultural History in the Department of Creative Industries at the University of West England where he is Director of Research. He is the author of Film Noir (2002) Typical Men: The Representation of Masculinity in Popular British Cinema (2003) Sydney Box (2006) and the Historical Dictionary of Film Noir (2010). He has edited Sydney Box's autobiography European Film Noir (2007) and co-edited A Companion to Film Noir (2013). He led an AHRC funded project to catalogue and interpret the Michael Klinger papers housed at the University of West England part of a wider investigation into the changing role of the film producer. A.T. McKena was Research Associate in the Department of Creative Industries at the University of West England and now teaches Media and International Communications at the University of Nottingham in Ningbo China. His work has appeared in journals that include Historical Journal of Film Radio and Television Journal of British Cinema and Television and Journal of Popular Cinema. He is currently writing a book about Joseph E. Levine for the University of Kentucky.

We use cookies to ensure that we give you the best experience on our website. If you continue we'll assume that you are understand this. Learn more
Accept