Trying To Make It Real Part 1 & 2: Bruno V. Roels | Agenda Bookshop Skip to content
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Please note that books with a 10-20 working days delivery time may not arrive before Christmas.
A01=Bruno Roels
Age Group_Uncategorized
Age Group_Uncategorized
Author_Bruno Roels
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Category1=Non-Fiction
Category=AJB
COP=Belgium
Delivery_Pre-order
Language_Dutch; Flemish
Language_English
PA=Available
Price_€50 to €100
PS=Forthcoming
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Trying To Make It Real Part 1 & 2: Bruno V. Roels

Dutch; Flemish, English

By (author): Bruno Roels

All prints have value: instead of fussing over making the perfect gelatin silver print, for example, Bruno V. Roels realised that all printed versions of an image have value, and he decided to not show that one perfect print, but all of them, in one composition. Some of his compositions consist of hundreds variations of one single negative, all printed in the dark room. Photography is a mimetic art, it imitates life. But Roels pushes it further: when printing variants of one image; he creates a mimetic feedback loop. He uses the iconic image of a palm tree to prove his point. All palm trees look alike, and as a symbol the plants are highly recognisable. Because palm trees are so widely recognisable, hes free to deconstruct his own notions of photography, while trying to get away from the tyranny of camera viewfinders and rectangular boxes of enlarging papers. Introduction for the book written by Simon Baker.

Text in English and Dutch.

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Current price €58.64
Original price €68.99
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A01=Bruno RoelsAge Group_UncategorizedAuthor_Bruno Roelsautomatic-updateCategory1=Non-FictionCategory=AJBCOP=BelgiumDelivery_Pre-orderLanguage_Dutch; FlemishLanguage_EnglishPA=AvailablePrice_€50 to €100PS=Forthcomingsoftlaunch
Delivery/Collection within 10-20 working days
Product Details
  • Dimensions: 220 x 300mm
  • Publication Date: 01 Feb 2025
  • Publisher: Hopper & Fuchs
  • Publication City/Country: Belgium
  • Language: Dutch; Flemish, English
  • ISBN13: 9789464002041

About Bruno Roels

Bruno Roels (°1976) lives and works in Ghent Belgium. Bruno divides his time between writing and photographing. He considers the act of printing (turning a photograph into a tangible object) as important as the act of photographing itself. He photographs almost nonstop documenting his entire life building a sizable archive. In his dark room he uses that archive to explore the analogue photographic process. Rather than trying to make the perfect gelatin silver print he assumes that all prints are perfect and gives all variations equal attention. Hes looking for poetry and photographic truth in sequences and fluctuations. Details in his photographs may become lead motives in bigger compositions and obvious subject matter is reduced to abstract information through numerous reiterations.

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