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A01=Bernard Leach
A01=Soetsu Yanagi
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Age Group_Uncategorized
Author_Bernard Leach
Author_Soetsu Yanagi
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Category1=Non-Fiction
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COP=United States
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Language_English
PA=In stock
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Unknown Craftsman The: A Japanese Insight Into Beauty

4.44 (286 ratings by Goodreads)

English

By (author): Bernard Leach Soetsu Yanagi

craftsman working in a set tradition for a lifetime? What is the value of handwork? Why should even the roughly lacquered rice bowl of a Japanese farmer be thought beautiful? The late Soetsu Yanagi was the first to fully explore the traditional Japanese appreciation for objects born, not made.' Mr. Yanagi sees folk art as a manifestation of the essential world from which art, philosophy, and religion arise and in which the barriers between them disappear. The implications of the author's ideas are both far-reaching and practical. Soetsu Yanagi is often' See more
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A01=Bernard LeachA01=Soetsu YanagiAge Group_UncategorizedAuthor_Bernard LeachAuthor_Soetsu Yanagiautomatic-updateCategory1=Non-FictionCategory=ACBPCOP=United StatesDelivery_Delivery within 10-20 working daysIncLanguage_EnglishPA=In stockPrice_€20 to €50PS=Activesoftlaunch
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Product Details
  • Weight: 657g
  • Dimensions: 193 x 242mm
  • Publication Date: 21 Jun 2013
  • Publisher: Kodansha America Inc
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9781568365206

About Bernard LeachSoetsu Yanagi

S?ETSU YANAGI was born in Tokyo in 1889 and graduated from the literature department of the Tokyo Imperial University in 1913 majoring in psychology. Proficient in English and with a deep feeling for art while still a student Mr. Yanagi became associated with the Shirakaba (Silver Birch) literary group to which he was partly responsible for interpreting Western art to Japan.In 1921 he completed the organization of a Korean folkcraft museum in Seoul and in 1936 the present Japan Folkcraft Museum in Tokyo was completed through his efforts.Mr. Yanagi traveled widely in the Orient Europe and America. In 1929 he lectured at Harvard University for one year. In Japan sometimes in the company of the potters Kanjir? Kawai Sh?ji Hamada and Bernard Leach he sought out anonymous craftsman of all kinds throughout the country and encouraged their work. He also wrote prolifically and profoundly on all aspects of aesthetics finding his inspiration in Japanese and Oriental folkcraft and folk culture. His personal collection of folkcrafts is the nucleus of the Japan Folkcraft Museum collection. Mr. Yanagi died in Tokyo in 1961.The Adaptor BERNARD LEACH today is known as one of the world's greatest potters. His numerous books are familiar to everyone interested in modem crafts. Mr. Leach first came to Japan at the age of 22 in 1909 met the Shirakaba group and soon became an intimate friend of S?etsu Yanagi. It is difficult to say which of the two men influenced the other the more. In Mr. Yanagi's own words Leach came to Japan... full of dreams and wonder.... It is doubtful if any other visitor from the West ever shared our spiritual life so completely. This volume is Mr. Leach's tribute to his friend of fifty years standing.

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