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Why Monet Matters: Meanings Among the Lily Pads

English

By (author): James H. Rubin

Claude Monets Water Lilies are widely recognized as a celebration of nature and a call to visual experience. The skilled brushwork, vivid color, and immersive quality of the paintings suspend thoughts of the outside world and its concerns. And yet, when one realizes that these works were made during a period of social and political turmoilrapid changes of government, the Dreyfus Affair, and the destruction and devastation of World War Iquestions arise about the personal, cultural, and historical contexts within which they were created. In this book, James H. Rubin explores these conditions and shows how Monets worksaid to be a harbinger of abstractionappeals not only to the eye but also to something deep in modern consciousness.

The myth of Impressionism is that it was reviled and misunderstood, but by the 1890s Monet was rich by anyones standards, and his works were considered French cultural treasures. Monet was featured in a propaganda film in response to German militarism, and he was persuaded by Georges Clemenceau to donate a number of his Water Lilies paintings to the French nation following the Treaty of Versailles. Taking this into account, Rubin uncovers how the theme of floating lily pads could serve political ends, exposing relationships between Monets apparently subject-free art and its material circumstances in the modern world.

Engagingly written, masterfully argued, and featuring more than 150 illustrations, Why Monet Matters is a major study of an artist who had the will and the talent to remain relevant to his time without conceding to its fashions. Scholars, students, and those who appreciate Monet and Impressionism will value and learn from this book.

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Product Details
  • Weight: 2041g
  • Dimensions: 229 x 254mm
  • Publication Date: 01 Feb 2021
  • Publisher: Pennsylvania State University Press
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9780271086200

About James H. Rubin

James H. Rubin is Professor Emeritus of Art History at Stony Brook University. He is the author of thirteen books including Impressionism; Impressionist Cats and Dogs: Pets in the Painting of Modern Life; and Impressionism and the Modern Landscape: Productivity Technology and Urbanization from Manet to Van Gogh as well as more than seventy articles and exhibition catalog essays on nineteenth-century French art.

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