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The early settlers dubbed California The Golden State, and The Land of Milk and Honey. Today there are the obvious ironies sprawl, spaghetti junctions and skid rowbut the place is not so easily distilled or visualised, either as a clichéd paradise or as its demise. Theres a strange kind of harmony when its all seen togetherthe sublime, the psychedelic, the self-destructive. Like all places, its unpredictable and contradictory, but to greater extremes. Cultures and histories coexist, the beautiful sits next to the ugly, the redemptive next to the despairing, and all under a strange and singular light, as transcendent as it is harsh. The pictures in this book begin in the desert east of Los Angeles and move west through the city, ending at the Pacific. This general westward movement alludes to a thirst for water, as well as the original expansion of America, which was born in the East and which hungrily drove itself West until reaching the Pacific, thereby fulfilling its manifest destiny. The people, places, and animals in the book did exist before Halperns camera, but he has sewn these photographs into a work of fiction or fantasya structure, sequence and edit which, like Los Angeles itself, teeters on the brink of collapsing under the weight of its own strangely-shaped mass. Gregory Halpern was born in 1977 in Buffalo, New York. He has published a number of books, including A (2011), Omaha Sketchbook (2009) and East of the Sun, West of the Moon (2014), a collaboration with Ahndraya Parlato. He also edited, along with Jason Fulford, The Photographers Playbook: Over 250 Assignments and Ideas (2014). He holds a BA in History and Literature from Harvard University and an MFA from California College of the Arts. In 2014 he was the recipient of a Guggenheim Fellowship. See more