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The Eighth: Mahler and the World in 1910

English

By (author): Stephen Johnson

September 12, 1910: The world premiere of Gustav Mahlers Eighth Symphony and the artistic breakthrough for which the composer had yearned all his life. Munichs new Musik Festhalle was filled to capacity on two successive evenings for the performances, which were received with rapturous applause. Representatives of many European royal houses were in attendance, along with an array of stars from the musical and literary world, including Thomas Mann and the young Arnold Schoenberg. Also present were Alma Mahler, the composers wife, and Almas longtime lover, the architect Walter Gropius. Knowledge of their relationship would precipitate an emotional crisis in Mahler that, compounded with his heart condition and the loss of his young daughter Maria, would lead to his premature death the next year.

In The Eighth, Stephen Johnson provides a masterful account of the symphonys far-reaching consequences and its effect on composers, conductors, and writers of the time. The Eighth looks behind the scenes at the demanding one-week rehearsal period leading up to the premieresomething unheard of at the timeand provides fascinating insight into Mahlers compositional habits, his busy life as a conductor, his philosophical and literary interests, and his personal and professional relationships. Johnson expertly contextualizes Mahlers work among the prevailing attitudes and political climate of his age, considering the art, science, technology, and mass entertainment that informed the world in 1910. The Eighth is an absorbing history of a musical masterpiece and the troubled man who created it.

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Product Details
  • Weight: 590g
  • Dimensions: 147 x 216mm
  • Publication Date: 20 Oct 2020
  • Publisher: The University of Chicago Press
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9780226740829

About Stephen Johnson

Stephen Johnson is a writer and composer as well as a regular broadcaster for BBC Radio. He is the author of Bruckner Remembered and How Shostakovich Changed My Mind. He writes for the Independent Guardian BBC Music Magazine and Gramophone.

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