The Man-Made World | Agenda Bookshop Skip to content
Buy 3, Get 1 Free on all Graphic Novels, Anime & Manga. EXTENDED until 9th June at midnight!
Buy 3, Get 1 Free on all Graphic Novels, Anime & Manga. EXTENDED until 9th June at midnight!
A01=Charlotte Perkins Gilman
A32=Mint Editions
Age Group_Uncategorized
Age Group_Uncategorized
Author_Charlotte Perkins Gilman
automatic-update
Category1=Non-Fiction
Category=JFFK
COP=United States
Delivery_Delivery within 10-20 working days
Language_English
PA=Available
Price_€10 to €20
PS=Active
softlaunch

The Man-Made World

English

By (author): Charlotte Perkins Gilman

The Man-Made World (1911) is a sociological study by American author and feminist Charlotte Perkins Gilman. Inspired by her work as a social reformer and advocate for womens suffrage, Gilman sought to write a work of nonfiction that explained the effects of patriarchy not only on the lives of women, but on the structure and health of society at large.

In the beginning, Gilman observes that though biology naturally attributes motherhood and fatherhood to women and men respectively, there is no evolutionary explanation for the widespread control of men over all other human activities. This inequity, Gilman explains, is what she means by the term Androcentric Culture, a culture organized by men, for men. Having established her thesis, Gilman dedicates chapters to such topics as the family, health, art, sports, religion, education, government, economics, and warfare in order to observe the impact of male domination on each. Ultimately, Gilman asks what, if anything, will men lose if women are granted the rights and responsibilities they have no reason not to share. The Man-Made World is a thorough and powerful experiment in sociological thought and a groundbreaking work of feminist nonfiction.

With a beautifully designed cover and professionally typeset manuscript, this edition of Charlotte Perkins Gilmans The Man-Made World is a classic of American literature and nonfiction reimagined for modern readers.

See more
Current price €15.29
Original price €16.99
Save 10%
A01=Charlotte Perkins GilmanA32=Mint EditionsAge Group_UncategorizedAuthor_Charlotte Perkins Gilmanautomatic-updateCategory1=Non-FictionCategory=JFFKCOP=United StatesDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€10 to €20PS=Activesoftlaunch
Delivery/Collection within 10-20 working days
Product Details
  • Dimensions: 127 x 203mm
  • Publication Date: 18 Feb 2021
  • Publisher: Graphic Arts Books
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9781513220451

About Charlotte Perkins Gilman

Charlotte Perkins Gilman (1860-1935) was an American author feminist and social reformer. Born in Hartford Connecticut Gilman was raised by her mother after her father abandoned his family to poverty. A single mother Mary Perkins struggled to provide for her son and daughter frequently enlisting the help of her estranged husbands aunts including Harriet Beecher Stowe the author of Uncle Toms Cabin. These early experiences shaped Charlottes outlook on gender and society inspiring numerous written works and a lifetime of activism. Gilman excelled in school as a youth and went on to study at the Rhode Island School of Design where in 1879 she met a woman named Martha Luther. The two were involved romantically for the next few years until Luther married in 1881. Distraught Gilman eventually married Charles Walter Stetson a painter in 1884 with whom she had one daughter. After Katharines birth Gilman suffered an intense case of post-partum depression an experience which inspired her landmark story The Yellow Wallpaper (1890). Gilman and Stetson divorced in 1894 after which Charlotte moved to California and became active in social reform. Gilman was a pioneer of the American feminist movement and an early advocate for womens suffrage divorce and euthanasia. Her radical beliefs and controversial views on raceGilman was known to support white supremacist ideologiesnearly consigned her work to history; at the time of her death none of her works remained in print. In the 1970s however the rise of second-wave feminism and its influence on literary scholarship revived her reputation bringing her work back into publication.

Customer Reviews

Be the first to write a review
0%
(0)
0%
(0)
0%
(0)
0%
(0)
0%
(0)
We use cookies to ensure that we give you the best experience on our website. If you continue we'll assume that you are understand this. Learn more
Accept