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Women and Economics

English

By (author): Charlotte Perkins Gilman

Women and Economics (1898) is a sociological and economic study by American author and feminist Charlotte Perkins Gilman. Inspired by her work as a social reformer and advocate for womens suffrage, Gilman sought to write a work of nonfiction that explained the need to introduce women into the workforce while alleviating their responsibilities as wives and mothers. Women and Economics, arguably Gilmans most important work, employs the theories of Karl Marx, Charles Darwin, and Thorstein Veblen to not only assess the damage done to women and human society by inequality, but to propose realistic ways of eliminating gender oppression while benefitting humanity at large.

Observing that women in their roles as wives and mothers tend to work harder for longer hours than men while being excluded from the work force, Gilman proposes that the progress of human society depends upon the equality of men and women in all aspects of working and domestic life. She acknowledges the importance of the suffragist movementin which she was a leading figurewhile making the case for the economic equality of men and women in addition to the democratic equality sought by their activism. Ultimately, Gilman advocates for the professionalization of domestic work, suggesting that women should be allowed to enter the workforce while hiring others to care for and educate their children as well as perform the duties necessary for the upkeep of the home. Grounding her work in the dominant sociological, biological, and economic theories of the time, Gilman provided the intellectual arguments necessary for elevating the feminist cause from a popular movement to a true political force. Women and Economics is a powerful work of sociological thought by a leading reformer and feminist of her day.

With a beautifully designed cover and professionally typeset manuscript, this edition of Charlotte Perkins Gilmans Women and Economics is a classic of American literature and nonfiction reimagined for modern readers.

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A01=Charlotte Perkins GilmanA32=Mint EditionsAge Group_UncategorizedAuthor_Charlotte Perkins Gilmanautomatic-updateCategory1=Non-FictionCategory=JFFKCategory=JFSJCategory=JFSJ1Category=KJCOP=United StatesDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€10 to €20PS=Activesoftlaunch
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Product Details
  • Dimensions: 127 x 203mm
  • Publication Date: 05 Jan 2021
  • Publisher: Graphic Arts Books
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9781513269849

About Charlotte Perkins Gilman

Charlotte Perkins Gilman (1860-1935) was an American author feminist and social reformer. Born in Hartford Connecticut Gilman was raised by her mother after her father abandoned his family to poverty. A single mother Mary Perkins struggled to provide for her son and daughter frequently enlisting the help of her estranged husbands aunts including Harriet Beecher Stowe the author of Uncle Toms Cabin. These early experiences shaped Charlottes outlook on gender and society inspiring numerous written works and a lifetime of activism. Gilman excelled in school as a youth and went on to study at the Rhode Island School of Design where in 1879 she met a woman named Martha Luther. The two were involved romantically for the next few years until Luther married in 1881. Distraught Gilman eventually married Charles Walter Stetson a painter in 1884 with whom she had one daughter. After Katharines birth Gilman suffered an intense case of post-partum depression an experience which inspired her landmark story The Yellow Wallpaper (1890). Gilman and Stetson divorced in 1894 after which Charlotte moved to California and became active in social reform. Gilman was a pioneer of the American feminist movement and an early advocate for womens suffrage divorce and euthanasia. Her radical beliefs and controversial views on raceGilman was known to support white supremacist ideologiesnearly consigned her work to history; at the time of her death none of her works remained in print. In the 1970s however the rise of second-wave feminism and its influence on literary scholarship revived her reputation bringing her work back into publication.

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