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The Great Oklahoma Swindle: Race, Religion, and Lies in America''s Weirdest State

English

By (author): Russell Cobb

Board of Directors Award for special merit, 2021 Oklahoma Book Awards

Far from being a placid place in the heart of Flyover Country, Oklahoma has been a laboratory for all kinds of social, political, and artistic movements, producing a singular list of weirdos, geniuses, and villains. In a century, Oklahoma gave birth to movements for an African American homeland, a vibrant Socialist Party, and armed rebellions of radical farmers. In the same era, the state saw numerous oil booms, one of which transformed the small town of Tulsa into the oil capital of the world. Add to the chaos one of the nations worst episodes of racial violencethe Tulsa Race Massacre of 1921a statewide takeover by the Ku Klux Klan, and the rise of a paranoid far-right agenda by a fundamentalist preacher, and you have the recipe for Americas most paradoxical state.

In The Great Oklahoma Swindle Russell Cobb tells the story of a state rich in natural resources and artistic talent, yet near the bottom in education and social welfare. Raised in Tulsa, Cobb engages Oklahomans across race and class to elucidate their contradictory and often stridently independent attitudes. Interweaving memoir, social commentary, and sometimes surprising research around race, religion, and politics, Cobb presents an insightful portrait that will make you rethink everything you thought you knew about the American Heartland.
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Current price €27.63
Original price €32.50
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Product Details
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Mar 2020
  • Publisher: University of Nebraska Press
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9781496209986

About Russell Cobb

Russell Cobb is an associate professor in Latin American studies and creative writing at the University of Alberta. He is the editor of The Paradox of Authenticity in a Globalized World and the reporter of the This American Life story that served as the basis for the Netflix film Come Sunday. His journalism has appeared in the New York Times the Guardian Slate and the Nation and on NPR.  

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