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A01=Janet Wolff
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Author_Janet Wolff
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Social Criticism
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The Aesthetics of Uncertainty

English

By (author): Janet Wolff

Feminism, poststructuralism, postcolonialism, and Marxism, among other critical approaches, have undermined traditional notions of aesthetics in recent decades. But questions of aesthetic judgment and pleasure persist, and many critics now seek a return to aesthetics or a return to beauty. Janet Wolff advances a postcritical aesthetics grounded in shared values that are negotiated in the context of community. She relates this approach to contemporary debates about a committed politics similarly founded on the abandonment of certainty. Neither universalist nor relativist, the aesthetics of uncertainty provides a discourse on beauty that contemporary critics can engage with and offers a basis for judgment that is committed to assigning value to works of art. Wolff explores her position through a range of topics: the question of beauty in relation to feminist critique; the problematic status of twentieth-century English art, visual representations of the Holocaust, Jewish identity as portrayed by the artist R. B. Kitaj, refugee artists and modernism in 1940s Britain, and the nature and appeal of imagistic thinking in sociology. She addresses the desire for certainty and the timeliness of doubt and concludes with a meditation on the intersection of aesthetics and ethics, arguing that ethical issues are very much implicated in aesthetic discourse. See more
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A01=Janet WolffAge Group_Uncategorizedand the ArtsAuthor_Janet Wolffautomatic-updateCategory1=Non-FictionCategory=ACCategory=HPNCOP=United StatesDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€20 to €50PS=ActiveSN=Columbia Themes in PhilosophySocial Criticismsoftlaunch
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Product Details
  • Dimensions: 152 x 203mm
  • Publication Date: 15 Dec 2015
  • Publisher: Columbia University Press
  • Publication City/Country: United States
  • Language: English
  • ISBN13: 9780231140973

About Janet Wolff

Janet Wolff is professor emerita in the School of Arts Languages and Cultures at the University of Manchester. She is the author of The Social Production of Art; Aesthetics and the Sociology of Art; Feminine Sentences: Essays on Women and Culture; Resident Alien: Feminist Cultural Criticism; and AngloModern: Painting and Modernity in Britain and the United States.

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